{"id":2,"date":"2015-04-04T15:54:12","date_gmt":"2015-04-04T15:54:12","guid":{"rendered":"http:\/\/presskit.becquerels.de\/\/?page_id=2"},"modified":"2025-03-19T22:59:16","modified_gmt":"2025-03-19T21:59:16","slug":"beispiel-seite","status":"publish","type":"page","link":"https:\/\/presskit.becquerels.de\/","title":{"rendered":"BECQUERELS PRESSKIT 2019"},"content":{"rendered":"

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background_layout=“dark“ text_shadow_style=“none“ header_text_shadow_style=“none“ body_text_shadow_style=“none“ button_bg_use_color_gradient=“off“ button_bg_color_gradient_overlays_image=“off“ button_use_icon=“on“ button_text_shadow_style=“none“ box_shadow_style_button=“none“ hover_transition_duration=“300ms“ hover_transition_delay=“0ms“ hover_transition_speed_curve=“ease“]<\/p>\n

„Tuba oder Triangeln? Mehr oder weniger Zufall, aber die h\u00f6rt man tats\u00e4chlich. Auch ein Saloon-Piano, eine Violine und noch weitere Bl\u00e4ser, die teilweise in Richtung Mariachi-Sound gehen und den Songs einen geh\u00f6rigen Drive geben. Einer der Trompeter hat \u00fcbrigens fr\u00fcher bei Kula Shaker gespielt: eines der gr\u00f6\u00dften Vorbilder der M\u00fcnchner. Die erfuhren das aber erst im Studio, als der Trompeter von einer Band mit „komischem Namen“ erz\u00e4hlte. Wieder so ein Zufall, aber auch in dem Fall vielleicht nicht der schlechteste.“<\/p>\n

\"SZ\"<\/a><\/p>\n

 <\/p>\n

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\u201eDie Becquerels brauchen f\u00fcr ihren hymnischen Brit-Steam-Rock keine Computer oder Synthies auf der B\u00fchne. Mit klassischem Rockband-Setup bringen die f\u00fcnf M\u00fcnchner den 90ies-Flavour \u00e0 la The Coral und Kula Shaker zur\u00fcck.\u201c<\/p>\n

\"PULS\"<\/a><\/p>\n

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\nAufgenommen von Produzent Sean Kenny in den Ten21 Recording Studios<\/strong> in der idyllischen Grafschaft Kent im S\u00fcden Englands, gemischt von Abbey-Road-Senior-Engineer\u00a0Chris Brown (Radiohead, Muse, Damon Albarn, The Coral, Ride)<\/strong> in London und gemastert von Sean Magee (Placebo, Franz Ferdinand, The Beatles Remasters) in den legend\u00e4ren Abbey-Road-Studios<\/strong>, klingt die Entstehung dieses Albums \u2013 in Anbetracht der aktuellen Umst\u00e4nde \u2013 nach schierem, unvern\u00fcnftigem Gr\u00f6\u00dfenwahn.<\/p>\n

Doch wer nicht wagt, der nicht gewinnt! Und so entstand zwischen Herbst 2012 und Fr\u00fchjahr 2015, auch dank der Einfl\u00fcsse eines Britpop-erfahrenen Produktionsteams, ein sehr vielseitiges Erstlingswerk. War der erste Release der BECQUERELS in Form der EP \u201cVarmints On The Run\u201d, 2011, noch ein \u00e4u\u00dferst melancholischer Ausflug in den Spaghetti-Western der 60er-Jahre, kommt das Album erfrischend anders daher.<\/p>\n

Weniger W\u00fcstensand, mehr Sound-Experimente.\u00a0Wo treffen schon Kasabian, die Lightning Seeds und die Kinks zuf\u00e4llig aufeinander? Wo klimpert John Lennon auf einem Saloon-Piano, w\u00e4hrend David Holmes an den Kl\u00e4ngen zum neuesten James-Bond-Soundtrack schraubt, Blondie mit Ennio Morricone das Tanzbein schwingt und Fatboy Slim Songs von Kula Shaker neu interpretiert.<\/strong><\/p>\n

Das klingt nach einem interessanten Schlagabtausch irgendwo zwischen den 60ern und 90ern, ohne zu altmodisch zu wirken. Ist das Indie, ist das Pop? Spielt das eine Rolle? Auf jeden Fall wird \u201eIn A State Of Blitz\u201c<\/strong>, der erste Longplayer der BECQUERELS, Musikfans auf der ganzen Welt im Wortsinne elektrisieren.<\/p>\n

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Hallo! Tags\u00fcber arbeite ich als Fahrradkurier, nachts bin ich ein aufstrebender Schauspieler und dies hier ist mein Blog. Ich lebe in Berlin, habe einen gro\u00dfen Hund namens Jack, mag die Fantastischen Vier\u00a0und ein k\u00fchles Bier.<\/p><\/blockquote>

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